To this brief journey,
to this time-travel adventure,
to the utter absurdity of our
helpless leap into the future;
to all the surprises and the pain… Continue reading “Snowflakes and Ashes*”
To this brief journey,
to this time-travel adventure,
to the utter absurdity of our
helpless leap into the future;
to all the surprises and the pain… Continue reading “Snowflakes and Ashes*”
Lazarus never smiled
after he rose from the dead.
For 30 years, until he died again,
he was haunted by the
unredeemed souls he saw
in the four days he
journeyed in the afterlife.
by Leonard Cohen
Good night, good night, my fallen star
I guess you’re right, you always are
I know you’re right about the blues
You live some life you’d never choose
I’m just a fool, a dreamer who forgot to dream of the me and you
I’m not alone, I’ve met a few
Traveling light like we used to do
It’s au revoir
My once so bright, my fallen star
I’m running late, they’ll close the bar
I used to play one mean guitar
I guess I’m just somebody who
Has given up on the me and you
I’m not alone, I’ve met a few
Traveling light like we used to do
But if the road leads back to you
Must I forget the things I knew
When I was friends with one or two
Traveling light like we used to do
I’m traveling light
A famous writer was in his study. He picked up his pen and started writing :
1. Last year, I had a surgery and my gall bladder was removed. I had to stay stuck to the bed due to this surgery for a long time.
2. The same year I reached the age of 60 years and had to give up my favourite job. I had spent 30 years of my life in this publishing company.
3. The same year I experienced the sorrow of the death of my father.
4. And in the same year my son failed in his medical exam because he had a car accident. He had to stay in bed at hospital with the cast on for several days. The destruction of car was another loss.
At the end he wrote: Alas! It was such a bad year !!
When the writer’s wife entered the room, she found her husband looking sad & lost in his thoughts. From behind his back she read what was written on the paper. She left the room silently and came back with another paper and placed it on side of her husband’s writing.
When the writer saw this paper, he found his name written on it with the following lines :
1. Last year I finally got rid of my gall bladder due to which I had spent years in pain….
2. I turned 60 with sound health and retired from my job. Now I can utilise my time to write something better with more focus and peace…..
3. The same year my father, at the age of 95, without depending on anyone or without any critical condition met his Creator….
4. The same year, God blessed my son with a new life. My car was destroyed but my son stayed alive without getting any disability.
At the end she wrote:
This year was an immense blessing of God and it passed well !!!
The writer was indeed happy and amazed at such beautiful and encouraging interpretation of the happenings in his life in that year !!!
Moral : It’s not happiness that makes us grateful but gratefulness that makes us happy.
This body’s nothing but
Flitting from who knows
what to who
I like how we
guess about our
It shows optimism.
We’re nothing if not plucky.
My own guess
is that the truths
are greater than anything
from fear and need.
I could be wrong.
But we’re here.
That’s all we know
Until Nature washes us away.
Wait with me,
we’ll find out.
And still the waves
into sloping sand.
The wind slides ashore
from dark seas,
from empty spaces,
haunted by silences,
Shockingly cold and clean
like the sharp hum of
a wet finger sliding on
the spotless rim of a
fine crystal glass.
I might… I might
drop dead at any moment.
Sooooo… I look at a
and sigh, suddenly young again.
This, and a kiss,
This is what I’ll miss.
I squinted through previews of blind old age,
a hop and skip from life in a cage–
So I put into port, my vacation on hold.
I miss aspects of the younger me.
That mixture of brass and anxiety.
One minute riding with Aldrin and Glenn,
The next falling into bland misery.
What shall I encourage?
The naive fancies of youth?
The cautions of age?
The search for the truth?
Do I have to decide?
Can’t I take the easy way out,
hop the freak train, savor the ride?
Smiling eyes of absinthe green,
make me mush, a stuttering sixteen.
Not to complain; I like this just fine.
The heart never tires of love’s blush divine.
(I just read about someone doing yoga on a ferris wheel.
Two good things don’t necessarily work well together.
But I’ll admit, she looks good in Spandex,
And sex does sell, as we know too well. .
Still, this just proves that any good thing can be
ruined by the venal machinations of marketers–
the modern source of most human misery
now that we’ve killed off all the wolves and smallpox.)
And right there we have it, our abnormality.
Instead of reveling in that sublime unsanity–
that carries its victims away happily,
the passions that make life worth living, in actuality–
someone, somewhere, somewhen, without fail,
gives into the low-rent impulse’s to ruin simple things like love and luck,
with the smarmy impulse to make a quick buck.
Spring is so fast, so eager.
Changes come before I’ve absorbed yesterday’s.
A minute ago, the maple was nearly bare,
thousands of tiny spinners fallen on my windshield
like sawdust under a table saw.
This morning, new leaves dance in the breeze,
awkward teenagers already, swaying to their own music,
turning the bright sunshine green.
Have I missed something important?
I wish the world had a rewind button, or at least a pause option.
But sadly, we drift along like a cork in a stream,
never knowing what’s down below, never staying anywhere.
Only able to see a blurred impression of the scene whizzing by.
So, yes, I’m torn between the ineffable beauty of now
and endless wonders around the each bend of the stream.
That makes any cork an unreliable partner.
I cannot slow the stream, but
I’ll pause on my own, breathe deeply, still my mind.
When I eat, I will really taste the food; savor the wine.
Miss no opportunity to be kind.
See the joy in another’s eyes.
I’ll watch the young leaves dance and try to
imagine the shape of the wind, feel the fingers of the invisible ocean.
And when I laugh, it will be from the soles of my feet,
and when I’m sad, I’ll not be afraid to plumb the depths.
And when I love, I will hold nothing back, even
When, as is inevitable, there is pain.
I intend to be fully alive, to observe more and better.
That’s all I can do.
That’s all any of us can do.
After all, we’ll be dead soon enough.
by Christina Georgina Rossetti
When I come to the end of the road
and the sun has set for me
I want no rites in a gloom filled room
Why cry for a soul set free?
Miss me a little, but not for long
and not with your head bowed low
Remember the love that once we shared
Miss me, but let me go.
For this is a journey we all must take
and each must go alone.
It’s all part of the master plan
a step on the road to home.
When you are lonely and sick at heart
go to the friends we know.
Laugh at all the things we used to do
Miss me, but let me go.
When I am dead my dearest
sing no sad songs for me
plant thou no roses at my head
nor shady cypress tree
be the green grass above me
with showers and dewdrops wet
and if thou wilt remember
and if thou wilt, forget.
I shall not see the shadows,
I shall not fear the rain;
I shall not hear the nightingale
sing on as if in pain;
and dreaming through the twilight
that doth not rise nor set,
haply I may remember,
and haply may forget.
Is it possible, can a young person understand what real loss feels like?
It takes the heartbreak of puppy love; a betrayal of trust once…. or twice…or thrice; the death of a beloved grandparent, a classmate ripped from this world by being in the wrong place at the wrong time on a Friday night. Personal failure and the recovery of confidence. Or not.
If we’re not too self-centered, an awareness grows that the world is a complicated place, that people are not all good– or bad.
Time teaches the hard lessons. Losses accumulate like a negative balance in the account books, offset by the joys and happiness that are piling up, too. Life is a double-entry balance sheet. The numbers seldom lie as much as we do.
No one else can really make us happy. No one else can break us without our help. Things are beginning and ending all the time. The world was before us, and will go on long after we are gone. Even the most famous of us will be forgotten. Do you know the name of the Mongol general who fathered many of the children of conquered Russia from captives who were brought before him–in tears, or fears, or with calculating or admiring eyes–night after night? Even the descendents don’t know him.
Or the name of history’s first real musician?
We are both unique and utterly the same: the first and only us that ever was. But others like us wandered the forests of prehistory, or the markets of medieval Paris, or leapt off Viking boats with flashing steel and a roar, or cowered inside during Roman raids. Generations of our line may have labored anonymously in slavery, or murdered and plundered and raped. Yet some of them had the same nose, the same way funny little laugh as we do. The same aversion to yellow vegetables. The same taste for wine. The same eyes.
Those of us who have spent time on the downslope think about these things. Most of us are fools who haven’t learned a thing, too.
If you are young, how will you write this entry when you are my age? Will you be any wiser?
Be careful how you answer.
W. B. Yeats, 1865 – 1939
That is no country for old men. The young
In one another’s arms, birds in the trees
—Those dying generations—at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl, commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.
An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.
O sages standing in God’s holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne in a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.
Once out of nature I shall never take
My bodily form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.
With Audio: Accepted into the Telepoem program
After 60 years of work, more or less,
I’ve decided to take a working vacation.
I’m booking a cruise and extended
train travels for the next 60 years
To go exploring along the coasts,
Poking my canoe up the inlets and rivers,
Probing the veins and wires and memories of
Some unfamiliar parts of me, and some
I’ve been missing for a while, to
See whether there’s anything
Worth saving, or maybe just toss it all out.
The old one-eyed poet said it is harder to
dismantle your life than to build it, but
I think it is just as difficult both ways.
I’m putting the finishing touches on the house of me.
Bolting the copper trout wind vane on the chimney,
mounting the mailbox by the road,
putting in the shrubbery and sod, laying out the welcome mat.
And doing it all never knowing if today
might be the last, or whether I have
6,200 more sunrises to enjoy, as I saw once in a dream.
It’s all just vanity, after all. I’ll pile my collection of rocks
beside the trail and someone will come along and
knock them over, not realizing what they are,
then steal a few to build their own pile.
These are not unusual worries and really
only concern me and a distressingly small circle of people.
The Nile River doesn’t care either way, Miami and
San Francisco and Shanghai are still going to flood,
people will always believe flim-flam artists,
the dinosaurs are still dead.
This life-sorting–patching and filtering—
feels like falling asleep on a muggy
afternoon and waking up sweaty,
disoriented, not sure where – or who—you are.
The Work, though, goes on.
It means to remember things, to patch torn screens,
To oil squeaky hinges of faintly remembered doors,
To somehow put a name to things and to see
What actually matters and which bits were bullshit.
(There has been a lot of the latter.)
The woman behind me on the train is coughing, reminding me
that most of us die of suffocation,
Choking on our own accumulated miseries.
I can think of better ways to go.
This makes me start coughing, too.
And so I write it down.
I love this one-eyed poet who talks about the
“Implacable indifference of time.” He was
old when he wrote that, and facing a decaying
body and painful surgery.
It made me think.
I was raised to believe in hope,
in the redeeming graces that would make
all suffering worthwhile in the sweet bye and bye;
to seek a moral purpose even in darkness and pain,
to value the hard-won badges and scars of a
life lived with eternity in mind.
Late in my sixth decade now, the path ahead
more and more clear, I think it’s time I
did myself a favor and distinguished between
wishful thinking and hard truths.
It’s a choice; I still have
the power to choose.
I have my health, for the most part,
but my wife has had cancer 5 times and still
keeps her face to the sun. It won’t get easier for either of us,
and I have promises to keep, somehow.
I’ve learned this much; your mileage may vary:
No matter how bad the news is, someone has it worse.
It’s easy to be discouraged, hard to be hopeful.
Be hopeful, anyway. It’s a way of not giving in.
There’s nothing better than the feeling of a cold beer
hitting the back of your throat on a hot day.
Realize that behind anything you want,
there are multiple reasons.
The majority are selfish, or weird or downright bad.
Wait. Bullshit always has a big mouth.
Wait. Your hair’s not really on fire.
It’s just the hormones whipping you, mostly.
Most desires turn out to be hollow things with time.
Wait and look for whether
there’s something in there that helps someone,
does not hurt someone and
would make your children proud.
Do that one. Out of all the rest.
And do it with everything you’ve got.
Then give someone else the credit for it.
This is especially true of love. We are all capable of
much more of that, but get selfish and fearful of pain.
We must be careful and keep the above rules in mind.
Does it help someone ? Everyone needs it.
Does it hurt anyone? Can you stretch yourself to include more?
Can you give 110% to more than one?
Would it make your children proud?
(When/if you have them, if you don’t now.)
Do that. And another just like it, but with care.
Grow into it.
Tell yourself that, in the end,
You told yourself the truth, most of the time;
You did not harm anyone on purpose;
and that you tasted as much sweetness
along the way
as you could.
by Rabindranath Tagore
I seem to have loved you in numberless forms, numberless times…
In life after life, in age after age, forever.
My spellbound heart has made and remade the necklace of songs,
That you take as a gift, wear round your neck in your many forms,
In life after life, in age after age, forever.
Whenever I hear old chronicles of love, it’s age old pain,
It’s ancient tale of being apart or together.
As I stare on and on into the past, in the end you emerge,
Clad in the light of a pole-star, piercing the darkness of time.
You become an image of what is remembered forever.
You and I have floated here on the stream that springs from the fount.
At the heart of time, love of one for another,
We have played along side millions of lovers,
Shared in the same shy sweetness of meeting,
the distressful tears of farewell,
Old love but in shapes that renew and renew forever.
Today it is heaped at your feet, it has found its end in you
The love of all man’s days both past and forever:
Universal joy, universal sorrow, universal life.
The memories of all loves merging with this one love of ours—
And the songs of every poet past and forever.
A girl combs her grandmother’s hair, while the old woman
tries, suddenly, desperately, to remember her first kiss. The her mind slips a couple more decades back in time.
“It will be wonderful,” she sighs, in anticipation.
Her spirit surges into the past, pausing just an eye blink with the young girl.
Her granddaughter closes her eyes and shudders. She is headed into her future, but there’s something new in her now. The hand with the comb pauses, confused; continues.
Something is different. She sighs.
Just after sundown,
past the North Carolina border,
our passenger train stops to let
a freight whiz by in the dark.
We’re not as profitable per pound,
and complain when the ride’s too rough.
And, really, just look at us; so flabby and soft.
So we must wait.
It’s good to know your value in
But the delay has already been factored in, and
for the first time in my life I’m
comfortable waiting, in the dark.
Sometimes you just don’t know what’s going to come out of that old man’s mouth…In a hospital room he probably wasn’t walking out of…late on a February Sunday afternoon. We waited, though. And then he just started, with no preamble.
“I just like them. I just like women. Well, some. I have preferences. Who doesn’t?
“And I just let them see the admiration and respect. And some, a few of them, like me back, like they’re surprised, you know. Grateful in a way… for the honesty, I guess, although that’s not in my mind, like a tactic. It wouldn’t be honest that way, would it? So, no games. They’re tired of the games and bullshit, too. I had to practice that, though.
But, if there’s not that mutual ‘liking’, no spontaneous shudder, you just back up a step, be polite and move on. Have a little dignity.
“And sometimes they show me some appreciation in tangible ways, too. They look after me for a while, making sure I’m appreciated, and that doesn’t mean sex at all. Just liking and wanting to do for. Boys, there’s no one who can take care of you like a grateful, honest woman. And it’s nice to be treated well.
“There’s some of the other kind of appreciation, of course, and if it happens it happens.
“It’s my favorite thing, but you have to let nature take its course or it’s not as good. That’s what you young guys don’t understand. Too big a hurry so that you miss the main show.
“The best thing is when you have the sudden shudders but also respect. And that means nobody’s a superior person, like a boss to the other. When you are equal in some ways and content to let the other’s talents shine when they need to. No false pride.
“That doesn’t mean everything’s smooth, either. You can be terribly lonely or angry sometimes, when things aren’t working and you know it. That’s when someone else can look good. But with luck, you don’t break the bond between you two who click.It’s so easy to.
“But two people like that? That’s sweet.”
He laughed and coughed a little.
“And however you express that between you–and even if it doesn’t go on forever–nobody gets hurt. Not at all. Just the opposite. It’s a permanent special thing. And some people only have the memory of it to live on, but at least they have that.”
Our father had a coughing fit and lay back in the hospital bed exhausted, but with a slight smile and a distant look at the hazy hill a couple of miles away. We looked at each other.
An electronic chime sounded in the hall. A recorded voice announced the end of visiting hours. We hated to leave, as tomorrow wasn’t a guarantee.
“You know what, though?” he said, turning back to us. “I just realized something. About that second kind of appreciation…
Here it came. We caught each other’s eyes. Raised an eyebrow like Spock.
“It just dawned on me that despite a number of opportunities, I only really found that exact thing with one person. I’m pretty sure I could have found more, but I didn’t see the point. I’m a lazy man, and that sounded like too much work. But in any case… I stopped at the first one. The one that clicked like that…
He suddenly realized the night was closing in. He wanted to see one more dawn with Mom. It showed.
“She’ll be back in a minute. No need to tell your mother what I said about her. OK? She’s stressed enough. And if I say something too nice now, the shock might kill her.
“We like to watch sunrises together.”
There was that thin smile again. A little sad around the corners. Tired from the chemo and the pain. He looked at us, waiting.
We nodded our old conspirator smiles.
We’d heard this routine before, making us promise not to tell mom something.
We would ignore this one, too.
He knows we will.
He’s counting on it.
I was a relentless swimmer as a child, more at home
under water, popping up only for air, wishing for gills.
In the pond’s murky realm a few feet down, the big bass, motionless,
eyes swiveling, waited for someone’s last mistake.
In the muddy shallows, the sun warmed the water most,
small things hatched, safe from mouths in the deep water.
Forests of fronds and grasses stretched toward the light,
and died, becoming the black ooze where biting things lived.
I lost it along the way, that simple way a child observes in wonder,
accepting in wisdom, the heavenly song of the world everywhere.
My job these days is to be the archeologist of my life, diving
over and over and staying down, wishing for gills and more time.
On soft summers’ nights, lovesick bullfrogs boomed at the edges.
A muskrat swam in the moonlight, wake effortlessly symmetrical.
*An attempt…. About the Ghazal form:
The ghazal is composed of a minimum of five couplets—and typically no more than fifteen—that are structurally, thematically, and emotionally autonomous. Each line of the poem must be of the same length, though meter is not imposed in English. The first couplet introduces a scheme, made up of a rhyme followed by a refrain. Subsequent couplets pick up the same scheme in the second line only, repeating the refrain and rhyming the second line with both lines of the first stanza. The final couplet usually includes the poet’s signature, referring to the author in the first or third person, and frequently including the poet’s own name or a derivation of its meaning.
Traditionally invoking melancholy, love, longing, and metaphysical questions, ghazals are often sung by Iranian, Indian, and Pakistani musicians. The form has roots in seventh-century Arabia, and gained prominence in the thirteenth- and fourteenth-century thanks to such Persian poets as Rumi and Hafiz. In the eighteenth-century, the ghazal was used by poets writing in Urdu, a mix of the medieval languages of Northern India, including Persian. Among these poets, Ghalib is the recognized master.
“For this, that now was coming, he had very little curiosity. For years it had obseessed him; but now it meant nothing in itself. It was strange how easy being tired enough made it.
Now he would never write the things he had saved to write until he knew enough to write them well. Well, he would not have to fail at trying to write them, either.”
–– Ernest Hemingway, “The Snows of Kilimanjaro”
I self-published a book of poetry recently.
(Technically, it’s the second book I have published, but the first was a children’s picture book designed for the iPad. I’m old-fashioned and have this prejudice that it isn’t really a book unless it is printed in ink on a page made of paper.)
Therefore, as far as I’m concerned, I published my first book.
It’s not important to anyone else, but it marks a milestone for me. There can never again be a first one, and I’m letting the feeling settle in slowly and warmly. You never forget your first one, they say.
An itch that I haven’t been able to scratch for more than 60 years has to leave me alone, now. I still feel I can get better, and there is still beauty and meaning to be explored. That is what keeps us young, after all. Always feeling there is more to learn, to do, to feel. Truly young, until we die of old age.
It has only been a couple of days, and a few copies have sold. I don’t have any expectations– oh, maybe to break even on the costs of marketing and buying author copies, perhaps. But that’s about it.
Practice. That was one reason. But for what?
Confidence. That was another. I needed to build my confidence. But again: for what?
I saw the Hemingway quote above, and all of a sudden realized what this book, and all the work over the last two and one-half years was about.
I hope I have not left it for too long. I could have another stroke and be unable to move or write, of course. That’s a thought I carry with me each day. It worries me, but I have had to learn how to move on, and into deeper places in me, in spite of that fear. I found out how to use it for motivation.
I don’t want to be caught short like Harry in “The Snows of Kilamanjaro.” But I also know that anything might happen. And I have to be ready for whatever comes. We all do, whether we like it or not.
(The story: Harry, a writer, and his wife, Helen, are stranded while on safari in Africa. A bearing burned out on their truck, and Harry is talking about the gangrene that has infected his leg when he did not apply iodine after he scratched it. As they wait for a rescue plane from Nairobi that he knows won’t arrive on time, Harry spends his time drinking and insulting Helen. Harry reviews his life, realizing that he wasted his talent through procrastination and luxury from a marriage to a wealthy woman that he doesn’t love.)
So I will press on, take care of myself as best I can. I want to sit under an apple tree in late summer for as many years as I can, and listen to them fall, wasting their sweetness. But I want to make sure I taste as many as I can.
I will keep writing, and write the things I’ve been putting off. “You pays your money and you takes your chances,” as some old friends used to say. There’s no point in waiting any longer. None of it is 2far–until it is.
Besides, I published a book! A little, self-published book of poetry. Just look at me.
Please call if the Pulitzer Committee tries to reach me. 🙂
I’m happy to announce that Hemmingplay’s alter-ego has published a collection of poems under the title “I Came From A Place of Fireflies.” It is available on Amazon and a Kindle version is at Kindle Link. Buying the paperback version entitles that person to download the Kindle version for free.
It would not have been possible to get this far without the support of everyone here. Even when the pieces weren’t very good, you still gave encouragement. I am grateful for you all.
Without fail, monthly, the full moon sheds
her inky cloak of night and stars
and slips a leg and then the rest into the lake,
her cool fire subtracted from the sky.
She leaves the nights more lonely, barren.
But her life is not extinguished,
merely hidden, recovering, re-energizing.
She must withdraw from sight,
make herself desirable, let her belly be lush and fertile again
so she may breath passions onto the world, be
drunk with the reckless, raucous, ribald dance of life. Continue reading “Song of the Hidden Moon”
I want you to move in slowly,
To pin me
With hot and deep desire.
Wrap me in liquid fire.
Then I shall take my turn,
and coax from your heart
Grateful prayers to
the wisdom of a loving god.
I dreamt of a place, not long ago, and the dream, unusual for me, showed even the most mundane things in vivid, sharp detail. Clothing, clouds, leaves on the ground, birds against the sky, dust motes floating.
But not at first. At first I was in the dark, walking blindly on a long journey through a wood. I only knew that something big was ahead. It was my show. I was expected.
I’m a modern man, raised on science and skepticism. But the longer I’ve lived, my ancient spirit has me lurch against things I cannot understand and I’ve had to make allowances.
The night of the full moon
calls her to the water,
this daughter of Leda and Zeus.
She feels it in her neck and belly,
and in the prickles on her back
where the wings hide
under her skin.
Long ago, her mother
sheltered a swan fleeing an eagle.
It was that lecherous old liar, Zeus,
In disguise and guile.
He devised a ruse to
Force himself on her.
I may look normal, but I’m not. On the outside, my life looks conventional. But this is the kind of place I live in my head. It’s a constant battle between doing stuff I’m afraid of and running away. Out on the edge….
“You think I’m insane?” said Finnerty. Apparently he wanted more of a reaction than Paul had given him.
“You’re still in touch. I guess that’s the test.”
“Barely — barely.”
“A psychiatrist could help. There’s a good man in Albany.”
Finnerty shook his head.
“He’d pull me back into the center, and I want to stay as close to the edge as I can without going over. Out on the edge you see all kinds of things you can’t see from the center.” He nodded, “Big, undreamed-of things — the people on the edge see them first.”
I was 21 when I took the official vows,
but had really taken the important ones
some months earlier. When I proposed
on April Fools Day and she said ‘yes.’
And like two fools,
we thought that was just fine.
Turns out, nearly 50 years later, it was.
But vows are merciless things, and they don’t
tell you the whole story. You can’t listen, anyway,
with your eyes full of hunger for each other’s bodies
and your ears full of music and laughter and dreams.
It’s easy to make promises when you
don’t know all that will be asked of you,
the blood and the bone and the griefs.
You find out the truth bit by bit,
day by day. You find out
where you’re weak and where strong,
and whether you’re someone people
can count on.
But you never learn these things unless
you have solemnly vowed, and keep the promises
made in hope and ignorance.
You learn the lessons that come
only with walking a long road,
until your feet are worn as thin as paper
and the dust of the road is your new skin.
And, if you’re lucky, keeping promises
has, with much practice, become second nature.
I found all this out the hard way,
and not until I listened to a still, small voice
and started writing again.
I was asleep for 50 years, more or less,
but when I awoke, it was
to shorter days and cool nights.
And I wasn’t sure
if I was fully awake or not.
Let’s talk “Poetry” for a moment…
I’ve been reading some of yours…
So many lost lusts,
So many ‘why doesn’t he love me’s’
So many sacrifices of dignity,
Conflations of attraction and connection,
So many confusions of sex and love
So many dear diary’s, soulful sobs, self-pity,
So many anguished tears on so many pillows.
So many tearful gazes over the waters,
Like so many before, like your great-great-grandparents,
As though tears alone justify, define poetry.
As though that’s enough.
So many odes to aimlessness,
So much self-indulgence,
So much teenager-like angst,
So many assumptions that
The most common feelings in the
History of the planet… the galaxy, maybe…
Are at all insightful, fresh, helpful.
I’m sorry for your pain.
I am. It’s real.
But you’ll also have more. Lots more.
And you will survive.
Because you’re tougher than you know.
Welcome it. Use it.
Grow from it.
My right leg hurts. Nothing new there.
I need coffee, soulful kisses, and more…so much more….
I’m getting old and that pisses me off.
I’ve loved deeply and lost, have known death,
You will do both, maybe already have.
I’ve held my babies, watched them grow,
I’ve seen mothers lose theirs.
We win and we lose, sometimes more loss than gain.
I’ve been around the track more than once, but in the end
It, writing, boils down to answering this question:
That’s the question I put to us all.
So fucking what? Everyone has a sad story.
Answer “so what” and make me care. That’s the job. That’s what I want.
That’s the reason for poetry.
I want more than the lazy, the easy;
more than the ordinary,
more than common oatmeal,
(With or without raisins and sprinkles).
I want to know how those oats grew, and where,
What they felt when they were harvested,
I want to know if they screamed, or just magically
Floated into your bowl, mere reflections of your sadness.
I want to see why I should care about your oatmeal.
It isn’t all about you, you see, but about all of us,
And I’d like to know whether you can see beyond–
I want you to show what’s beyond the
Rustling of your jimmies, beyond being sexy,
Beyond, beyond, beyond.
Jesus H.! I want you to stop settling for less.
Less than you can do. Less than you will do.
I want you to get knocked down,
get up, and get to work
Over and over and over.
To show what it meant. Show me the answer: So what?
There’s no time to waste, you know,
Less than you think; no one knows the future.
Youth is wasted on the young,
Which I know now, and pass it along.
Maybe you’ll listen, but if you’re like I was,
You won’t get it and will go on
Thinking the world is here just for you,
Thinking that mere deep feeling is enough.
I have a newsflash from the other side, y’all:
It’s not enough. Not by a country mile.
(And stop rolling your eyes).
I want to feel you turning lead into gold,
I want you to show me– not tell me about– a growing soul,
I want to taste, to see, to feel what you do,
I want you to hunger for something always out of reach
I want you to tap the universal, to move us forward,
I want us all to connect the dots, do the hard work of humanity.
For our own precious humanity,
do the hard work.
do the heavy lifting.
I want you to read the best, then emulate them.
Then be better than them.
Sweat the details, then shine a new light.
Do hard and holy things.
Hard and holy things.
That’s what we signed up for, you know.
Not the ordinary. Fuck the ordinary.
But most of all, right now,
I want coffee.
So much more.
I write younger than I am, but my voice
cracks on the high notes now.
I don’t know how much longer I can fake it.
I wish I had a daughter, who would sit and
listen, and forgive me in the
way only daughters can.
Instead, I sit with my laptop
facing a bank of windows with a
view of a mountain,
snow flurries in the sun.
I’m encountering many me’s, from many times,
in various stages of becoming.
It’s as though I walk into a Greek amphitheater
in Corinth, and my many selves are sitting on the old blocks
of stone, twitching, and I point to one and say
“OK, come on down.Today’s your turn to whine about your life.”
And we all lean in, ready to pounce,
evaluating the honesty, the growth,
knowing that one of us
will be judged next
and found wanting.
I dreamt once I traveled to the little village
in Ohio where I was born, this time.
Everyone was glad to see me, and I them.
I went from house to house and visited people
who had been dead for 50 years. I was a happy 85,
and realized I could only see them because I must be dead, too.
It dawned on me just before I woke that I had been given
a glimpse of something and I should pay attention,
that my span of years on this earth this time is to be
eight and one-half decades, no more, no less.
And it made me smile. I could live with that.
I also dreamt once of a place very distant in years and geography,
and surprised to see I was a young girl
just at the threshold of adulthood, bare-breasted,
racing many others through an Indian jungle.
And I realized when I awoke that
I had been given a glimpse of something
I should pay attention to, so I wrote it down.
But in the dream I ran and ran, heart thrilling to the race.
I ran until I came to a plateau, trees stretching high above,
and there was a massive statue of the Buddha looming.
I lay a hand on the ancient, cool, damp, moss-covered base as I passed, and
felt an energy flowing through it, slow and deep and with the ache of eternity.
A strange monk sat with me later, while I ate a bowl of rice, and told me
the only things that mattered in life were effort and simplicity.
Then there was another dream
of a life I’d lived in the 1890s as a sod-buster on the
Nebraska prairie. Fought the land and the weather,
had children, buried some there,
and it came to me that my bones still lie in the
black earth, deep under the grasses on a little rise
above where my earthen home once stood, but of which
there is no longer any trace, except in
that one, fleeting dream, like most of us.
Then last night I dreamt I was in Montana,
in the middle of a group of men arguing about
whether to drill for oil in a particular spot.
On one hand were serious dangers, on the other vast wealth,
the two main things, other than a woman, that men will kill for.
I remember feeling in a moment of absolute clarity
That I had the perfect solution, and knew it
would prevent the bloodshed that was coming.
But I woke up, breathing hard, unable to go back.
I wonder if I could have made a difference?
These messages seemed different than the
run-of-the-mill dances of the mind in sleep.
These carried some sense of import and meaning.
So after each I lay staring at the ceiling
as dawn slowly restores the room to sight,
and I ponder them and try to pay attention.
“I just want to see how long the string is. This never gets old. It gets more interesting, actually.” — Keith Richards, Rolling Stones
Each day is here then gone, a brief chance to
roll the salt and savor of it on the tongue, to enjoy
each passing smile and twinkling eye and lovely curve,
reminding me I am still alive.
Teaching me why, in the now.
Each sunset red on the world,
a hint at what becomes of us all.
Each day at 5 a.m. when the birds
wake and start yapping at each other
about territory and nests, about the
thrill of rising air under their wings,
the taste of freedom in the climb closer to God.
Each dawn when the sun
comes up like thunder
to set the edge of the
world on fire, and my mind,.
Each night, the deep comfort from my love’s hand,
slid under my clothes to rest warm on my waist,
and the times she does more,
or I do (which is none of your business).
It is so common to hear someone say,
“live like this is your last day”.
That’s harder than it sounds,
especially when you’re young.
And when you’re old, it’s all too real,
but it is still hard to
change the dumb habits
of a lifetime of mostly mindless routines,
of buying into the herd’s opinion
and preference for bland ignorance,
and migrating out of habit toward
a dreamlike future, always
scheming, fearing, guessing,
hoping you don’t die
in the swift waters of the rivers
the dumb herd seems to feel it
Then, after years of this,
you must pretend you’re not surprised
when everything turns out differently,
when few things actually work as planned.
When you get to a certain point, this happens.
At first, you make up stories about
a life of heroic triumphs, never
talking about more numerous failures.
Then, you will look around, and back, and
laugh at the absurdity of
a young fool who had it
all figured out.
That’s when it’s good to
pull a love close and
fall asleep under the comfort
of the touch of someone who
knows you, and likes the feel
of your skin.
“First—if you are in love—that’s a good thing—that’s about the best thing that can happen to anyone. Don’t let anyone make it small or light to you. Second—There are several kinds of love. One is a selfish, mean, grasping, egotistical thing which uses love for self-importance. This is the ugly and crippling kind. The other is an outpouring of everything good in you—of kindness and consideration and respect—not only the social respect of manners but the greater respect which is recognition of another person as unique and valuable. The first kind can make you sick and small and weak but the second can release in you strength, and courage and goodness and even wisdom you didn’t know you had. …And don’t worry about losing. If it is right, it happens—The main thing is not to hurry. Nothing good gets away.”
— John Steinbeck, in a letter to his son
by Pablo Naruda
I want you to know
You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
toward those isles of yours that wait for me.
if little by little you stop loving me
I shall stop loving you little by little.
you forget me
do not look for me,
for I shall already have forgotten you. Continue reading “I Want You To Know One Thing”
by Jim Harrison
I’m hoping to be astonished tomorrow
by I don’t know what:
not the usual undiscovered bird in the cold
snowy willows, garishly green and yellow,
and not my usual death, which I’ve done
before with Borodin’s music
used in Kismet, and angels singing
“Stranger in Paradise,” that sort of thing,
and not the thousand naked women
running a marathon in circles around me
while I swivel on a writerly chair
keeping an eye on my favorites.
What could it be, this astonishment,
but falling into a liquid mirror
to finally understand that the purpose
of earth is earth? It’s plain as night.
She’s willing to sleep with us a little while.
[from IN SEARCH OF SMALL GODS, Copper Canyon Press, 2010, $16, pb. ]
by: W. B. Yeats (1865-1939)
I AM worn out with dreams;
A weather-worn, marble triton
Among the streams;
And all day long I look
Upon this lady’s beauty
As though I had found in a book
A pictured beauty,
Pleased to have filled the eyes
Or the discerning ears,
Delighted to be but wise,
For men improve with the years;
And yet, and yet,
Is this my dream, or the truth?
O would that we had met
When I had my burning youth!
But I grow old among dreams,
A weather-worn, marble triton
Among the streams.
“People will do anything,
no matter how absurd,
to avoid facing their own souls.”
Written by dear acquaintance, Dr. Moeen Masood:
Being a doctor, I see death on a frequent basis. I have been witnessing death since before the clinical rotations of the medical school even started. Often, I would go to the mortuary whenever a dead body was brought in. Death never bothered me. It doesn’t bother me to this day. It is a fact of life. It’s a fact of living.
Not too long ago, a wise grey-haired colleague of mine taught me something new. I came out of a patient’s room and sat down on the chair at the doctor’s station with the computer in front of me. Next to me, on another chair, in front of the computer was sitting Tony, the wise grey haired colleague. I was staring at the computer screen, when he asked me what the matter was. I looked at him and told him the sad story of the Continue reading “Birth is Fatal”
Maybe it is time to forgive God
For the hundreds of women
who have rejected me over the years,
Starting in third grade,
(theoretically, of course,
whether they knew it or not.
And for the one or two who
didn’t, but should have).
I’ve reached the point in life
too late where I
Would actually be of some
use to them,
Could gently walk forward with them without harm,
And be remembered, I trust, with generosity and a little fondness.
But I have reached the age
of their fathers,
And so, instead, have become,
And over there on the coasts, maybe it’s time to give hip irony the
last rites and heave-ho,
And just admit that it is as
empty and useless as
Yet another beer or Viagra
The nights have gone cool, the days not as warm.
Sundown slips backward,
Dawn awakes late by minutes, shivering…
Does it think we don’t notice?
The summer has been rainy, more than usual,
“Can’t complain, wouldn’t do no good,” my neighbor says.
We squint up at the sky –as if a moment of somber nods would make a difference–
Shake our heads wisely but think the same thing:
Another year has almost gone, hasn’t it?
Regrets chitter, time races faster.
We don’t dwell on it, or talk about it, but it’s in the backs of our minds.
We mark it most when the hours of darkness lengthen,
When the nights are cool.
When the sun rises behind stubborn clouds and
Fog blooms between trees, sits in the valleys,
Blankets the highways with obscurity.
We know what’s coming, near and far. It connects us
For a moment, then it’s gone, lost in thoughts of
Winter’s chores, and sins unconfessed
And the sweet, sweet days that slip through
Our fingers like the strings of a child’s balloon,
We cherish it, even as it floats away.
Everything changes. Everything must pass.There is deep contentment in that, if we take it.
It was just after dawn, at the edge of the woods.
I stood in the hazy boundary light, breathing in the musk of damp leaves and
Pine needles, listened to critters scurrying through
The careless litter of oak and maple and locust and walnut trees,
Feeling the big pause.
The forest felt it too, and lay hushed in the mist.
The fog came last night on its little cat feet,
Conjured up from the ground and the air.
I hesitated, taking in every detail.
This moment, this place, the path ahead, hidden, but inviting,
The textures of the rough bark on the railings, the lichen and moss
On the trunks, spots of green and brown and grey and muted reds and yellows.
A great feeling welled up and tears
Ran down my cheeks unnoticed, unchecked.
I was one with the moment, joyful and melancholy,
One with the world, on the edge of the wood filled with mist and mystery,
Like any path. Any of thousands I’ve traveled. With something new up ahead.
What was is ending, as always.
Every ending is a beginning.
The place from which we start anew.
The rough bark of the railing scrapes my palm,
Grounds me in the Now,
I step onto the path, leaves crunching quietly.
“Where does the path lead this time,” I ask…the trees, I guess?
They don’t speak, but a thought whispers through the mist:
“Why don’t you find out?”
Bless this boy, born with the strong face
of my older brother, the one I loved most,
who jumped with me from the roof
of the playhouse, my hand in his hand.
On Friday nights we watched Twilight Zone
and he let me hold the bowl of popcorn,
a blanket draped over our shoulders,
saying, Don’t be afraid. I was never afraid
when I was with my big brother
who let me touch the baseball-size muscles
living in his arms, who carried me on his back
through the lonely neighborhood,
held tight to the fender of my bike
until I made him let go.
The year he was fourteen
he looked just like Ray, and when he died
at twenty-two on a roadside in Germany
I thought he was gone forever.
But Ray runs into the kitchen: dirty T-shirt,
torn jeans, pushes back his sleeve.
He says, Feel my muscle, and I do.
It’s a rant. A rant about poetry. But I guess it hit a nerve. @Spillwords made it a featured post this morning…AND put a trigger warning on it. 🙂 That made me smile. But be warned: it might bruise your peaches.
I think you can handle it, though. (Photo: Pat Mansell)
Let’s talk “Poetry” for a moment, if you don’t mind.
Some things have been bugging me. I’ve been reading…
So many lost lusts,
So many ‘why doesn’t he love me’s’
So many sacrifices of dignity,
Continue reading “Spillwords: “What It Is Not””
A new day rises for you, daughter,
Pushing the darkness and the mists of childhood away.
Many have stood on this same shore, you know, but
This hour is wholly fresh, is yours entire,
Awesome and terrifying.
Thrilling. Dangerous. Engaging.
“Am I up to it?” You wonder…
But, I’ll let you in on a secret:
Continue reading “Letter To A Young Friend”
Found this morning on Writer’s Almanac. Men– if we’re completely honest–are envious of women, as a group, in some rather superficial ways, but particularly in the birthing abilities she talks about–that we will never have. It is a power that is beyond us. We know it. And you know we know it. And we know you know we know it.
Things weren’t very specific
when I was in labor,
yet everything was
there, suddenly: all that
my body had known,
even things I’d only been
Everybody knows that the dice are loaded
Everybody rolls with their fingers crossed
Everybody knows that the war is over
Everybody knows the good guys lost
Everybody knows the fight was fixed
The poor stay poor, the rich get rich
That’s how it goes
Everybody knows that the boat is leaking
Everybody knows that the captain lied
Everybody got this broken feeling
Like their father or their dog just died
Everybody talking to their pockets
Everybody wants a box of chocolates
And a long stem rose
Give one yielding hour,
All forgot in the moment.
Pretend to care not, if you must.
But you may be believed not.
In that hour, completely.
Then turn away,
Step again onto the twisting path.
Choice is loss.
Note: The nice people @Spill_words have republished this today.
When you’ve been together as long as we have—
the grown children are off making their own mistakes,
and careers have been dropped like bad habits—
the arguments tend to be about basic things.
We no longer tolerate easy answers.
Just the hard ones, such as those about walnuts and flowers.
One of you wants to plant the trees everywhere,
Knowing they’ll grow 100 feet high, and three across.
Their fruit is good, and their wood makes sublime furniture.
This all comes with foresight and patience.
Remembering a father saying one day, a few years before he died,
“Plant a walnut tree and generations will thank you.”
Fleeting Emotions, perpetual words.
Intriguing short stories, poetry, christian fantasy, historical dramatization, and science fiction
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THE DRIVELLINGS OF TWATTERSLEY FROMAGE