To this brief journey,
to this time-travel adventure,
to the utter absurdity of our
helpless leap into the future;
to all the surprises and the pain… Continue reading “Snowflakes and Ashes*”
To this brief journey,
to this time-travel adventure,
to the utter absurdity of our
helpless leap into the future;
to all the surprises and the pain… Continue reading “Snowflakes and Ashes*”
I’m racing the inevitable,
my only weapon an
of permanent youthfulness.
The 1970s are to blame.
My generation is to blame.
We started this crap,
pretending we could play
only teenagers and children could.
In my head, I’m still about 32,
on a stone patio of
a casino in Saint Tropez, in sandals,
skimpy swimming trunks,
Continue reading “A Fantasy of Permanent Youthfulness”
And still the waves
into sloping sand.
The wind slides ashore
from dark seas,
from empty spaces,
haunted by silences,
Shockingly cold and clean
like the sharp hum of
a wet finger sliding on
the spotless rim of a
fine crystal glass.
I might… I might
drop dead at any moment.
Sooooo… I look at a
and sigh, suddenly young again.
This, and a kiss,
This is what I’ll miss.
When the sun comes up tomorrow,
it still won’t care about our little passions,
but we’ll look up, hopeful as puppies, and think it does.
Whatever the size of our apartment or tent or mansion,
we fill the available closets like we’re packing
for a long, long trip and will need all that debris.
I’m just a big ol’ hypocrite, knowing I’ll exit as
naked as the day I arrived, but cling to
my comforts and sense of ownership anyway.
My boys will someday go through what’s left,
hold up broken reading glasses or
socks with no mates, raise an eyebrow:
“Why did that crazy old man keep this?”
“I don’t know,” I’ll say from the ceiling,
already starting to dissolve from the solid world,
“But I thought I might need them someday.”
Spring is so fast, so eager.
Changes come before I’ve absorbed yesterday’s.
A minute ago, the maple was nearly bare,
thousands of tiny spinners fallen on my windshield
like sawdust under a table saw.
This morning, new leaves dance in the breeze,
awkward teenagers already, swaying to their own music,
turning the bright sunshine green.
Have I missed something important?
I wish the world had a rewind button, or at least a pause option.
But sadly, we drift along like a cork in a stream,
never knowing what’s down below, never staying anywhere.
Only able to see a blurred impression of the scene whizzing by.
So, yes, I’m torn between the ineffable beauty of now
and endless wonders around the each bend of the stream.
That makes any cork an unreliable partner.
I cannot slow the stream, but
I’ll pause on my own, breathe deeply, still my mind.
When I eat, I will really taste the food; savor the wine.
Miss no opportunity to be kind.
See the joy in another’s eyes.
I’ll watch the young leaves dance and try to
imagine the shape of the wind, feel the fingers of the invisible ocean.
And when I laugh, it will be from the soles of my feet,
and when I’m sad, I’ll not be afraid to plumb the depths.
And when I love, I will hold nothing back, even
When, as is inevitable, there is pain.
I intend to be fully alive, to observe more and better.
That’s all I can do.
That’s all any of us can do.
After all, we’ll be dead soon enough.
W. B. Yeats, 1865 – 1939
That is no country for old men. The young
In one another’s arms, birds in the trees
—Those dying generations—at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl, commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.
An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.
O sages standing in God’s holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne in a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.
Once out of nature I shall never take
My bodily form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.
With Audio: Accepted into the Telepoem program
After 60 years of work, more or less,
I’ve decided to take a working vacation.
I’m booking a cruise and extended
train travels for the next 60 years
To go exploring along the coasts,
Poking my canoe up the inlets and rivers,
Probing the veins and wires and memories of
Some unfamiliar parts of me, and some
I’ve been missing for a while, to
See whether there’s anything
Worth saving, or maybe just toss it all out.
A girl combs her grandmother’s hair, while the old woman
tries, suddenly, desperately, to remember her first kiss. The her mind slips a couple more decades back in time.
“It will be wonderful,” she sighs, in anticipation.
Her spirit surges into the past, pausing just an eye blink with the young girl.
Her granddaughter closes her eyes and shudders. She is headed into her future, but there’s something new in her now. The hand with the comb pauses, confused; continues.
Something is different. She sighs.
Everyone but God, if you believe, is
Innocent of tomorrow.
Caesar, full of swagger, innocent of the daggers of friends,
Mary innocent she’d see a son murdered, slowly, while she watched.
Me, innocent about everything, including
whether a satellite will fall on me, or
I’ll get a certified letter that
immortality, six virgins and a chocolate cake
will be delivered on Saturday by 10 a.m..
I struggle to reconcile ignorance and innocence.
Do I care about what I can’t, don’t know?
Do I need more than this one, infinite moment?
Meanwhile, they say the snow will stop soon.
In a world of white, quiet and cold,
finches empty the bird feeder
and wait for more.
I am still innocent of Spring.
“For this, that now was coming, he had very little curiosity. For years it had obseessed him; but now it meant nothing in itself. It was strange how easy being tired enough made it.
Now he would never write the things he had saved to write until he knew enough to write them well. Well, he would not have to fail at trying to write them, either.”
–– Ernest Hemingway, “The Snows of Kilimanjaro”
I self-published a book of poetry recently.
(Technically, it’s the second book I have published, but the first was a children’s picture book designed for the iPad. I’m old-fashioned and have this prejudice that it isn’t really a book unless it is printed in ink on a page made of paper.)
Therefore, as far as I’m concerned, I published my first book.
It’s not important to anyone else, but it marks a milestone for me. There can never again be a first one, and I’m letting the feeling settle in slowly and warmly. You never forget your first one, they say.
An itch that I haven’t been able to scratch for more than 60 years has to leave me alone, now. I still feel I can get better, and there is still beauty and meaning to be explored. That is what keeps us young, after all. Always feeling there is more to learn, to do, to feel. Truly young, until we die of old age.
It has only been a couple of days, and a few copies have sold. I don’t have any expectations– oh, maybe to break even on the costs of marketing and buying author copies, perhaps. But that’s about it.
Practice. That was one reason. But for what?
Confidence. That was another. I needed to build my confidence. But again: for what?
I saw the Hemingway quote above, and all of a sudden realized what this book, and all the work over the last two and one-half years was about.
I hope I have not left it for too long. I could have another stroke and be unable to move or write, of course. That’s a thought I carry with me each day. It worries me, but I have had to learn how to move on, and into deeper places in me, in spite of that fear. I found out how to use it for motivation.
I don’t want to be caught short like Harry in “The Snows of Kilamanjaro.” But I also know that anything might happen. And I have to be ready for whatever comes. We all do, whether we like it or not.
(The story: Harry, a writer, and his wife, Helen, are stranded while on safari in Africa. A bearing burned out on their truck, and Harry is talking about the gangrene that has infected his leg when he did not apply iodine after he scratched it. As they wait for a rescue plane from Nairobi that he knows won’t arrive on time, Harry spends his time drinking and insulting Helen. Harry reviews his life, realizing that he wasted his talent through procrastination and luxury from a marriage to a wealthy woman that he doesn’t love.)
So I will press on, take care of myself as best I can. I want to sit under an apple tree in late summer for as many years as I can, and listen to them fall, wasting their sweetness. But I want to make sure I taste as many as I can.
I will keep writing, and write the things I’ve been putting off. “You pays your money and you takes your chances,” as some old friends used to say. There’s no point in waiting any longer. None of it is 2far–until it is.
Besides, I published a book! A little, self-published book of poetry. Just look at me.
Please call if the Pulitzer Committee tries to reach me. 🙂
I’m happy to announce that Hemmingplay’s alter-ego has published a collection of poems under the title “I Came From A Place of Fireflies.” It is available on Amazon and a Kindle version is at Kindle Link. Buying the paperback version entitles that person to download the Kindle version for free.
It would not have been possible to get this far without the support of everyone here. Even when the pieces weren’t very good, you still gave encouragement. I am grateful for you all.
Without fail, monthly, the full moon sheds
her inky cloak of night and stars
and slips a leg and then the rest into the lake,
her cool fire subtracted from the sky.
She leaves the nights more lonely, barren.
But her life is not extinguished,
merely hidden, recovering, re-energizing.
She must withdraw from sight,
make herself desirable, let her belly be lush and fertile again
so she may breath passions onto the world, be
drunk with the reckless, raucous, ribald dance of life. Continue reading “Song of the Hidden Moon”
I may look normal, but I’m not. On the outside, my life looks conventional. But this is the kind of place I live in my head. It’s a constant battle between doing stuff I’m afraid of and running away. Out on the edge….
“You think I’m insane?” said Finnerty. Apparently he wanted more of a reaction than Paul had given him.
“You’re still in touch. I guess that’s the test.”
“Barely — barely.”
“A psychiatrist could help. There’s a good man in Albany.”
Finnerty shook his head.
“He’d pull me back into the center, and I want to stay as close to the edge as I can without going over. Out on the edge you see all kinds of things you can’t see from the center.” He nodded, “Big, undreamed-of things — the people on the edge see them first.”
It was in the fall of seventh grade.
A bunch of us piled into a friend’s car.
I remember lots of laughing, goofing around.
Nearly new teenagers filled with the thrill of being alive.
A girl with jet-black hair I’d known since first grade squeezed in
Next to me and the entire length of her thigh
pressed into mine by the crush of bodies in the back seat.
I fell in love for the first time.
Just like that.
We never dated, and it wasn’t long before my
family moved overseas and our paths never crossed again. .
Ah. What to make of the coming year? War, pestilence, famine, chaos, Donald Trump, uncertainty.
But it’s not all gloom and doom, either. A macabre old joke has it that at a certain age, any day you wake up on the top side of the dirt is a good one. Or, when someone asks how you are, you are supposed to wink and say, slyly, “Well, considering the alternative, I’m great!”
Too dark? I’m sorry. That’s not my intent and I really don’t think this way very often. But keeping it real is the real point of doing these little exercises. It keeps one focused. Pauper or king, the final destination is the same, and there’s the end of it. If you are young, you probably don’t think this way, nor should you. There’s plenty of time. Just make each day count and the final amount will be taken care of.
So why worry? We can’t see the future anyway. Hope for the best, plan for the worst. Prepare for what you can.
Feel free to ignore these: Don’t take easy paths, or indulge in cheap diversions. You’ll just end up growing donkey ears. Hone your inner steel and crave the edge, but also keep your heart open, childlike and reachable. Find things that matter, find your passion, don’t mope when things go wrong (and they will) but get up and live each day out loud.
It’s simple, really. It just takes all you have, and that’s the joy of it. 🙂
That’s a way to live, and considering the alternatives, it’s not too bad. Let the pale, creeping dampness of depression, doubt and insecurity go down the drain with the next shower. Any day can be a turning point. As Picard would say, “make it so.”
Show the way to others, love deeply and truely and never miss an opportunity to be kind.
“I just want to see how long the string is. This never gets old. It gets more interesting, actually.” — Keith Richards, Rolling Stones
Each day is here then gone, a brief chance to
roll the salt and savor of it on the tongue, to enjoy
each passing smile and twinkling eye and lovely curve,
reminding me I am still alive.
Teaching me why, in the now.
Each sunset red on the world,
a hint at what becomes of us all.
Each day at 5 a.m. when the birds
wake and start yapping at each other
about territory and nests, about the
thrill of rising air under their wings,
the taste of freedom in the climb closer to God.
Each dawn when the sun
comes up like thunder
to set the edge of the
world on fire, and my mind,.
Each night, the deep comfort from my love’s hand,
slid under my clothes to rest warm on my waist,
and the times she does more,
or I do (which is none of your business).
It is so common to hear someone say,
“live like this is your last day”.
That’s harder than it sounds,
especially when you’re young.
And when you’re old, it’s all too real,
but it is still hard to
change the dumb habits
of a lifetime of mostly mindless routines,
of buying into the herd’s opinion
and preference for bland ignorance,
and migrating out of habit toward
a dreamlike future, always
scheming, fearing, guessing,
hoping you don’t die
in the swift waters of the rivers
the dumb herd seems to feel it
Then, after years of this,
you must pretend you’re not surprised
when everything turns out differently,
when few things actually work as planned.
When you get to a certain point, this happens.
At first, you make up stories about
a life of heroic triumphs, never
talking about more numerous failures.
Then, you will look around, and back, and
laugh at the absurdity of
a young fool who had it
all figured out.
That’s when it’s good to
pull a love close and
fall asleep under the comfort
of the touch of someone who
knows you, and likes the feel
of your skin.
by: W. B. Yeats (1865-1939)
I AM worn out with dreams;
A weather-worn, marble triton
Among the streams;
And all day long I look
Upon this lady’s beauty
As though I had found in a book
A pictured beauty,
Pleased to have filled the eyes
Or the discerning ears,
Delighted to be but wise,
For men improve with the years;
And yet, and yet,
Is this my dream, or the truth?
O would that we had met
When I had my burning youth!
But I grow old among dreams,
A weather-worn, marble triton
Among the streams.
Maybe it is time to forgive God
For the hundreds of women
who have rejected me over the years,
Starting in third grade,
(theoretically, of course,
whether they knew it or not.
And for the one or two who
didn’t, but should have).
I’ve reached the point in life
too late where I
Would actually be of some
use to them,
Could gently walk forward with them without harm,
And be remembered, I trust, with generosity and a little fondness.
But I have reached the age
of their fathers,
And so, instead, have become,
And over there on the coasts, maybe it’s time to give hip irony the
last rites and heave-ho,
And just admit that it is as
empty and useless as
Yet another beer or Viagra
It’s a rant. A rant about poetry. But I guess it hit a nerve. @Spillwords made it a featured post this morning…AND put a trigger warning on it. 🙂 That made me smile. But be warned: it might bruise your peaches.
I think you can handle it, though. (Photo: Pat Mansell)
Let’s talk “Poetry” for a moment, if you don’t mind.
Some things have been bugging me. I’ve been reading…
So many lost lusts,
So many ‘why doesn’t he love me’s’
So many sacrifices of dignity,
Continue reading “Spillwords: “What It Is Not””
Everybody knows that the dice are loaded
Everybody rolls with their fingers crossed
Everybody knows that the war is over
Everybody knows the good guys lost
Everybody knows the fight was fixed
The poor stay poor, the rich get rich
That’s how it goes
Everybody knows that the boat is leaking
Everybody knows that the captain lied
Everybody got this broken feeling
Like their father or their dog just died
Everybody talking to their pockets
Everybody wants a box of chocolates
And a long stem rose
I used to be your favorite drunk
Good for one more laugh
Then we both ran out of luck
Luck was all we ever had
You put on a uniform
To fight the Civil War
You looked so good I didn’t care
What side you’re fighting for
It wasn’t all that easy
When you up and walked away
But I’ll save that little story
For another rainy day
I know the burden’s heavy
As you wheel it through the night
Some people say it’s empty
But that don’t mean it’s light
You left me with the dishes
And a baby in the bath
You’re tight with the militias
You wear their camouflage
You always said we’re equal
So let me march with you
Just an extra in the sequel
To the old red white and blue
Baby don’t ignore me
We were smokers we were friends
Forget that tired story
Of betrayal and revenge
I see the Ghost of Culture
With numbers on his wrist
Salute some new conclusion
Which all of us have missed
I cried for you this morning
And I’ll cry for you again
But I’m not in charge of sorrow
So please don’t ask me when
There may be wine and roses
And magnums of champagne
But we’ll never no we’ll never
Ever be that drunk again
The party’s over
But I’ve landed on my feet
I’ll be standing on this corner
Where there used to be a street
Give one yielding hour,
All forgot in the moment.
Pretend to care not, if you must.
But you may be believed not.
In that hour, completely.
Then turn away,
Step again onto the twisting path.
Choice is loss.
Dusk in August under a crescent moon.
People in the neighborhood walk their dogs,
Hurrying, because they have work tomorrow.
But the air has that special kind of softness that
Makes people stir inside, think alarming thoughts.
Her house in the woods is empty tonight.
No kids, no neighbors, no husband, no plans.
So, after the dishes are put away, and a few emails read,
She looks out and sees the moon over the dark woods.
She steps out of her clothes and onto the deck,
Opens her arms and lets the pale light electrify her skin,
Feels a movement in her womb, just as in ancient times,
And she makes of herself an offering, in freedom—
An exhausted suburban wife with laundry to do—
To something primal that she had thought was dead.
She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes;
Thus mellowed to that tender light
Which heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o’er her face;
Where thoughts serenely sweet express,
How pure, how dear their dwelling-place.
And on that cheek, and o’er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!
Someone asked today if I remembered
My happiest time.
I thought of the usual ones you’re supposed to say:
The birth of children, First love.
All happy times, and each different.
But this time the question brought back a different memory.
Forty-six years ago yesterday, it was.
Two poor college students, we married in a year of great turmoil,
Packed an old van and headed to the ocean.
This was the year the Beatles broke up,
And Janis and Jimmy died.
The year Ohio National Guard troops killed four students at Kent State.
The year Gabriel García Márquez published One Hundred Years of Solitude,
And a U.S. stamp cost six cents.
The year Nixon invaded Cambodia.
We hardly planned anything, and were lucky we
Remembered to pack the tent and sleeping bags.
We were into winging it, letting the flat side drag in those days.
But we did have a tent and bedding. And what little I remembered
Of survival from growing up hunting and fishing on a farm,
And being a Boy Scout, which I still am, I suppose.
I told my new bride I knew enough.
It was the first time I felt like a man, like a husband,
The first time I felt responsible.
It would be fun, I said, hoping I wasn’t lying.
What a honeymoon. But it was just fine with us. We didn’t want more.
She’d never seen the ocean.
I got to show it to her as my wedding gift.
We got sunburn floating on rubber inflatable mattresses in the surf, and
Fished for crabs with chicken necks on string and a net,
We cooked them on the beach with Sterno and a dented camp pot.
She got sick at the sight of the crab guts, and doubted my supposed skills.
But we passed the days together, free as children,
Brand-new adults, wondering at our good luck.
We didn’t starve, learned how to
Cook on an open fire,
And stayed in the shade of the campground’s
Tall, dry pines and rhododendron bushes,
Falling asleep to the sound of the surf
That hissed and fretted just over the dunes.
Fooling the heat and humidity by not moving more than necessary.
Ducking into the little tent when it rained.
We were in that tent a lot that trip.
And all we had was a deck of cards and each other.
There in that little tent.
Forty-six years ago yesterday.
That was my happiest time.
We made love often, with no where else to go,
No limits on our imaginations,
Getting sand everywhere and
Working around it with determination,
We talked until dawn sometimes,
Made love when we ran out of words,
Strolled the beach at first light.
It rained every day, sometimes for hours.
And there we were, hoping for rain,
Thinking about getting back in that tent.
God, we were young.
We laughed like kids who broke into the candy store, and thought that
None of the other campers knew what were were getting up to
In that little tent,
in the rain,
in the heat and mosquitoes
I’m nearly old, she said… to no one,
Before the mirror,
Tracing a line down her cheek
With a fingertip,
Lost in memory.
A chill; her soul shivers .
This is the face that boys
Longed to kiss, she remembers,
Remembering the power of it.
Yet now the boys are men, although not as many.
The face that felt the chubby caress of
Her children’s hands,
The face she could depend upon.
A breeze ruffles the curtains,
Touches the flower beside the mirror.
Her eye caresses the exquisite
Design of it,
Of perfect purpose.
“You are nearly old, too,” she says, tracing the line of the
Petal with her finger.
She smiles, newly aware…
All things must pass.
All things are temporary.
Your beauty, nude
not naked on the bed,
is far more a gift
than I ever expected.
I watch languor recline
1n your wise grey eyes
while slate hummingbirds
carved as earrings
dangle from golden hooks.
I quiver in your breath
and the ceiling fan halts
in that instant.
We look at one another
with both eyes open and close.
An intimate wind,
the cause of auroras,
moves north and south,
east and west,
then we swim
into one another.
“Not Naked on the Bed” by Timothy Young from Building in Deeper Water. © The Thousands Press, 2003. (buy now)
And so we must ask ourselves:
What is freedom?
Do we decide when to wake?
When to sleep?
Do not authorities order our
Or our partners do?
“You have to get up early!”
“Why do you stay up so late?”
Order belongs to the day,
Unordered things, the night.
Nakedness emerges in the night…
Bodies come together, touch, in the night.
What is put aside during the day
And only implied at dinner, or the theater
Finally takes place in the secrecy of the dark.
We trade freedom for order in the hours of light.
We reclaim our freedom in secret, in the night.
People have always been immoral, shiftless, and self-gratifying. It’s one of the most consistent themes in the human history of the world. It’s easy to look around and conclude there’s plenty of evidence that nothing much has changed since the days when our ancestors stole the Neanderthals’ lunch, caves, iPhones and women. In fact, the tendencies are, if anything, accelerating. You know, the internet….
My own opinion is that this is both true (that things really are as bad as they seem), but also self-limiting. The current level of world-class sinning, like a prairie fire, will burn fast but will eventually run out of fuel. The question is what will be left? The implications are that these attitudes and behaviors are ultimately self-destructive, and that sooner or later we humans tend to pull back at the edge of the moral abyss.
So, since I’m as susceptible as you are to any or all of these old standards, I looked them up again.
Excessive belief in one’s own abilities, that interferes with the individual’s recognition of the grace of God. Pride has been called the sin from which all others arise. Pride is also known as Vanity.
The desire for others’ traits, status, abilities, or situation.
an inordinate desire to consume more than that which one requires.
an inordinate craving for the pleasures of the body.
is manifested in the individual who spurns love and opts instead for fury. It is also known as Wrath. This is seen most often on internet comment sections and on the campaign trail.
is the desire for material wealth or gain, ignoring the realm of the spiritual. It is also called Avarice or Covetousness.
(todays personal failing here) Is the avoidance of physical or spiritual work. Lust would be a lot more fun, but I’m just not up to it.
The work must be done. It must be done and all the tricks to avoid starting eventually have to be unmasked and ignored.
The beginning of the new year is as good a time as any to make promises to myself. Most of my promises are bullshit, and I know that about me. But I can’t let my self-deceptions keep me immobilized. So, the work must be done.
The feeling I have brings up an image of a cat, muscles twitching and bunching, feet feeling for purchase, something to push off of. You know the look of coiling springs when a cat is about to launch itself at something? That’s how this feels. We all have our own rituals. One of mine is to read good writing, sometimes for days, and letting the ideas and the words wrap themselves around something inside and get it excited.
So it is when the work must be done. I find words like these and use them to pull me back to the chair, fight the resistance with action, ignore my own whining, and pounce.
Hello again, “Running Girl”. Let’s go do interesting things to each other, shall we?
Over the years, I’ve found one rule. It is the only one I give on those occasions when I talk about writing. A simple rule. If you tell yourself you are going to be at your desk tomorrow, you are by that declaration asking your unconscious to prepare the material. You are, in effect, contracting to pick up such valuables at a given time. Count on me, you are saying to a few forces below: I will be there to write.
Sunny New Year’s Eve.
Gaze upstream, into tomorrow
What do I control?
I posted this in June, during recovery. I apologize for the repeat, but this is one of two things I’m adding today in honor of the New Year. I don’t usually wish a Happy New Year, since nothing really is predictable. But I do hope that we all get some wishes answered, and pray you all wish well.
When I was younger, I desperately wanted to see my future, to know what was to be. In my arrogance, I thought I knew everything, and as it turns out, I know next to nothing. Less than nothing sometimes. My ignorance grows with age.
Now, looking back at what things litter the path of my personal journey, the triumphs and the broken bodies, I’m thankful that I didn’t know what was to come. Even the good things, but most certainly the bad. It would have been too much. It would have destroyed me, and, I suspect, it would destroy most of us.
I don’t know much, but think this much is true. We’re here to get through it somehow, and to learn what we can, but only one day at a time. Or, sometimes, just one hour at a time. That, and it’s important to learn how to be kind.
More knowing would fill us with grief and fear and tear us apart. We just aren’t strong enough to handle it.
Let the young believe that they know everything, though. We need their optimism and energy. Life will teach them too. It always does. But we should not wish to see the future. We should wish to live each day to the hilt, we should hope we have the courage to face what comes, and the future will take care of itself.
From a scene in “The Passenger”, directed by Michelangelo Antonioni and starring Jack Nicholson as reporter named Locke:
We can’t have it all.
Lord knows, I’ve tried.
I almost did, once or twice.
Then…. pffffft. Gone.
At the last minute I hesitated,
Seeing a desert beyond.
I don’t know what “all” means any more,
But I’m beginning to see through the
Haze of my own ambitions and needs.
I know women in their 30s and beyond,
Trying to “have it all,”
Dancing like marionettes strung out on speed,
Desperate to beguile and seduce everyone—and I mean everyone—
As though they’ll never age, that sex is all they have;
Being the perfect mother, career going full-tilt, the
Magical, mysterious, all-purpose Earth Mother Vagina with spangles.
They’re killing themselves.
I hate to break it to them,
But there’s that moment when you
Kick down the door where All is stored,
And there’s nothing there.
In my case, All was sitting there, smirking at me.
It was a Thursday, in April,
The world sparkled with Spring.
The stars lined up just right,
It was just within reach.
But ….. but then it was gone,
Like a dream that shattered in the early morning light.
Some seem to have it all for a while,
But the real story tells more.
Even billionaires get sunburn.
And fight with their kids.
Guard the hoard with lawyers,
Feel sorry for themselves and
Blame the poor,
And come down with gout;
Hate taxes and capital gains,
Fret over which vacation home to use,
Which is it this time?
Aspen or Maine?
That just pisses me off.
And I mutter something about
A rich man Passing through the eye of a needle.
“I’ve been rich, and I’ve been poor,
And rich is better,” Molly Brown said once.
Then she rode the Titanic, spent hours in a lifeboat,
Watched others go under, glad she survived,
But lived forever with the cries of the drowning,
lived in a big house, never belonging.
She ended alone, finally resigned
To having all the world could give,
Yet wryly seeing some things
Were forever out of reach.
And the good ladies of Denver
Snubbed and cut her the rest of her life.
And she learned to laugh,
With a hard-won wisdom.
So it comes down to these, I think:
If I have it all, what’s left for you?
And if you have it all, well, that just wouldn’t do.
This morning a robin hopped in the yard, cocked her head,
Listened for worms. The daffodils are turning
The land a yellow shade of optimistic; the days lengthen and grow warmer.
A cat dozes in the window next door,
A rabbit breaks cover when the dog gets too near;
The cold spring gushes out of the deep earth and rushes through town,
Heedless of us, headed to the sea, not looking back.
The sea licks the land as it has for a billion years,
Tasting all of our dreams.
So what does it mean, to have it all?
Emergency lighting for times of darkness and fear
Good things are going to happen@Mehakkhorana
by Kelly Lewis
“The lyfe so short, the craft so long to lerne." --Chaucer
seeking sublime surrender
A Continuing Revolution
THE DRIVELLINGS OF TWATTERSLEY FROMAGE