I write younger than I am, but my voice
cracks on the high notes now.
I don’t know how much longer I can fake it.
I wish I had a daughter, who would sit and
listen, and forgive me in the
way only daughters can.
Instead, I sit with my laptop
facing a bank of windows with a
view of a mountain,
snow flurries in the sun.
I encounter many me’s
in various stages of becoming.
It’s as though I enter
a Greek amphitheater
in ancient Corinth,
my many selves sit on the old
blocks of stone, twitching.
I point to one and say
“OK, come on down.
Today’s your turn to whine about your life.”
We all lean in, ready to pounce,
evaluating the honesty, the growth,
knowing that one of us
will be judged next
and found wanting.
1.) The Elements of Style (because I’m really not going to shoot you.)
The old calico cat came in from the fields whenever her belly was full of kittens again. She’d lumber to the boy’s house, hang around by the door and mooch a meal, then head to the barn. To the hayloft where she was born, as generations of hers had. It was the way things were.
Mountains of the older-style, small bales from the summer’s haying season made the perfect place to make a nest. Warm. Dry. Quiet. Mice were plentiful, and water was in stock tanks down below.
The boy learned the meanings of her fertility. He witnessed the births of several litters. Watched her as she cleaned them, nudged them to rows of nipple, stretched out and let them feed. It was just the way things were on a farm. Birth and death.
She knew him, and let him come close to her babies, as long as he was quiet. Then, later, she looked on benignly as they climbed and frolicked fiercely around and over him. Twice a year, usually. Once in the spring when the fields were greening, and again in the fall, when the land exhaled and prepared for sleep.
The boy visited and watched. He would open the small door made of weathered old wood, painted red, in the giant set of doors where the tractors would back wagons groaning with hay in once or twice a year.
At harvest times, if there had been enough rain to have more than one cutting of alfalfa, his father and uncle and cousins would swing the bales from the wagon, onto the conveyor, and stack them in walls of fragrance fresh from June’s fields, and August’s. Later on, he would join them and learn the joy of hard labor, together. The teasing. The camaraderie of men. Of family.
But when very young, he just made sure the cat and her kittens were out of the way. Then, after supper, he would spend time among the skyscrapers of summer hay. He watched the cat feed the current litter of miniature tigers, wash them, and curl her body around them while they slept. Season after season, until the kittens eventually grew and left the barn for a life of foraging and danger on their own. The barn seemed empty and more lonely after they were gone.
It marked the passing of time, and taught him the rhythms of things. The natural order of the way things were supposed to be.
When he was still small, he imagined himself curled up safe and warm, looked after, soothed to sleep with the mellow comfort of mama’s purrs.
When it was dark outside, the boy crept out of the small door and shut it tight, to keep the coldness out, and walked the long lane to the house. No one seemed to be looking for him. It was expected that he would learn to take care of himself. He knew that the calico would let him sleep in the quiet of the hay with her kittens, if he turned back.
Maybe tomorrow. It was just the way things were.
I see her beauty and am charmed, utterly, but then something makes me look ahead in her life. What will she be like in 10 years? In 20? In 50?
All I know now is that it is a long journey she is on, and nothing stays the same. Everything changes, many times. We each roll the dice and play the game, whether we know the rules or not. We roll up the faces of chance, with whatever faith we have. In the end, the ways and honesty with which we love and have been loved is all that matters. And I refuse to believe that something so good, even if it does not last, can ever be bad.
We change as we grow older, become a different person, over and over, but always the same person, too. The things that happen to us do that, but whatever they are, they’re just part of life. Nothing need be wasted unless we stop squeezing meaning from everything, even the disasters. The living of it is the point. And that is what gives up its sweetness to us to taste, and to remember.
So I see her beauty and am charmed, utterly. She is youth, and life, and promise and potential. She makes me remember many things, good things, and some things that still sting.
And, for just the briefest of moments in the grand sweep of changing moments, life is just a little sweeter, a little more good.
–Inspired by the BBC production of “Every Human Heart,” Try it on Amazon.