Folding Power


Pillars of Creation: interstellar gas and dust in the Eagle Nebula, some 6,500-7,000 light years from Earth where stars are born
“Pillars of Creation”: Hubble photo of interstellar gas and dust in the Eagle Nebula, some 6,500-7,000 light years from Earth where stars are born

I asked for the superpower of “Folding” for my birthday.
It cuts out the middle man:
Gimme a calendar with tricky bits, I said.
I’d fold weeks, months, years, centuries together,
jump to any time, past or future.

The first would be hanging with
the first human band to walk out of Africa .
I’d wait in the shade of a date palm, by the Nile,
bounce rocks off crocodiles, watch the south trail.
I’d cook hot dogs and hamburgers,
and have beer chilling on ice.
History’s first tailgate.
I would show them an iPhone, photos, movies.
Order something from Amazon—
Wouldn’t that be a good trick!…
Maybe a slinky, some bows and arrows and knives.
A chemistry set. Aspirin. Cargo pants,
broad-brimmed hats and sunglasses.
Trail mix. Snickers.
It’s in our interest that they survive the trip.
I’d tell them to be kind to one another,
Let them think I was the Great Spirit, then disappear.

Continue reading “Folding Power”

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Racing the Sun to Kankakee


Dawn just south of Kankakee, ILL. On the City of New Orleans, headed north to Chicago.
Dawn just south of Kankakee, ILL. On the City of New Orleans, headed north to Chicago.

Missing NOLA, so a rerun

The City of New Orleans pulls out of downtown,
setting the ground rumbling, gaining speed,
steel nose pointed hard north,
toward the coming night.

Like a thousand times before,
she finds the scent of the line away from the party,
leaving street-corner musicians,
Heavenly beignets and chicory coffee….And joy.

Leaving Joy, behind—despite misery under freeway overpasses;
Falling away in the rear window down parallel bands of steel
The party goes on, the music getting
fainter, but stuck in my skin like a vaccination scar,
in my ear like an old love song playing soft.
Despite the worst that could happen, the People endure.
God bless the People.
The train rolls north, but carries the place with it.
The passengers carry the place with us.

Old Bourbon St., Canal St. with it’s clackety trolleys;
flood-stained Poydras, Gravier,  Decatur streets.
The bars and the shops and the throngs of
sun worshipers on Jackson Square
who lounge and dance to a saxophone player
and drop coins and bills in his open case on the sidewalk.

Or listen to the tolling of the cathedral bells.
The steamboat down at the dock breathes
a hot, breathy calliope tune, luring passengers to the
Big Muddy to taste something old, something new
Something borrowed, and some Blues.
The blond woman, on her cast iron balcony above
The traffic and crowds, waters her flowers, looks
Down at me and smiles. It’s OK, Honey, she seems to say,
Life is good. Isn’t this a great place?
It’s New Orleans: Laissez les bon temps roulez, after all.
Let the good times roll…

So we roll. The horn blasts again and silent
steel wheels start to turn, gathering speed.
Number 58 follows an old steel line up, up,
slowing now and then but
Always up, up, up, past
Metairie, Kenner, New Iberia, the old names.
Hugging the shore of vast
Lake Ponchartrain, goddess destroyer,

Up, up the steel magic carpet ride
In dusk’s gathering, into the
dark memories of Delta country,
Past fields greening with winter wheat,
into the Mississippi night,
A stop at McComb, then Jackson,
then all the way up, up to Memphis by midnight.

And as we sleep, the car rocks unevenly,
the engine horn blows warnings
Into the darkness, the stars move slowly past.

The conductor’s voice comes over the speaker, tinny,
An hour and a half to Chicago.
“Get your things ready. Breakfast is served.”

Dawn comes early in places like this,
A mist covers the fields and coats them out of focus.
At breakfast, a retired doctor traveling with his daughter
Back home to Chicago
Tells about strawberries
(they’re on the menu this morning)
And remembers tending strawberries
on his father’s farm in
New Orleans, and how sweet
they were, and how he hated
Working in the beds, but loved
eating the sweetest berries in the world.
The sweetest in the world… his voice trails off.

Watching him, his eyes gone soft with old memories,
I wondered if their sweetness was more than rich soil,
But rather some small consolation to the People for
Enduring the swamps and fevers and mosquitos and the hurricanes.
The old doctor remembers the flavors
of strawberries on his father’s farm
In the French Quarter, 70 years, a lifetime ago.
He can taste the past again, and smiles.

The miles evaporate under the clicking wheels
as we talk, and eat
And the car rocks and rolls.
The waiter flies up and down the aisle,
Used to the way the car bucks and pitches on rough spots,
Never spilling the coffee.

The eastern horizon begins to glow.
Through fallow fields and past naked trees we fly.
And like the Resurrection, the sun is up and claims the day,
Keeping pace, rising in the east, burning bright, banishing darkness again.

And out the window,
over the frosty stubble
of an Illinois cornfield,
the old promise rises,
runs alongside, keeping pace.

We race the sun to Kankakee,
yet the faint music still plays,
far behind.

South
#
Amtrak

 

Impatience Is A Virtue?


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It is after the nights, a week, a month—sometimes—

After I flirt with silly half-assery and questions.

 After I get lost, a little. Lose the plot, the scent, the signal…

(When you take the road less traveled—

Which is the only one that really interests me—

Sometimes you don’t know where the hell you are.

The street signs are all different.)

 I stop, wait, put my good ear to the ground. Sniff the wind.

Maybe hitch a ride, hop a freight, wake up

In the damp air of new places, strange mountains, different accents,

Maybe it’ll be beignets and chicory coffee in N’awwlins; maybe

It’ll be the call of an elk, or the tang of the pines

In some high, wild place;

Maybe it’s a street under the clatter of the EL in Chicago, or maybe it’s

Feeling the sizzle of the naked sun on my back,

Building fence in the high desert in July.

After all this time I just know that I

Can only ride out the nonsense,

Embrace the nothingness, hug it tight

As the other half of meaning.

I’m impatient; I worry I’ll run out of time.

But this runs at its own pace.

For just as quickly, despite the trivia and side trips, and

Without warning, a sudden dawn will burst up like thunder,

And I’ll be back in tune, but maybe on a different road.

Hello, sweet August. You’re looking pretty good in that summer dress.

Let’s take a walk, talk a little. Maybe fool around like kids.

It looks like it’ll be a nice day.

What say we go get in a little trouble?

The Voice of Istanbul


I think it’s good to be astonished by at least one thing a day. My favorite line from this is “do not look for sparks in ashes long buried”.

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“I see change with the patience of centuries.”

by Gündüz Vassaf

“They say I am between the East and the West.
An identity crisis! Whose? Mine or theirs?
Enough of this nonsense.
Take the labels off and look at me. Just look

You won’t need a guidebook. Like all cities, I have my own sense of time.
I am a labyrinth of layers that only makes sense without a compass.
Trust me. Let yourself be, let yourself go.
But be careful what you go away with.
When you leave, all my empires, my religions, and passions
will be your fertile soil wherever you go.

Praised that I am, I am not proud. Much has been written about me.
To those who have found me melancholic
I say, “do not look for sparks in ashes long buried”.
To those who seek, amusement, I do not exhibit my past as
decorations for a perpetual carnival.
I am a home, I am a home without owners.

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One of the famous cats of Istanbul.

If you’re hesitant, not sure which way to go as you walk about, follow one of my cats. They will lead you to places, introduce you to people,
point out secrets they keep even from me.
They, more than anyone, are the longest continuing residents of the city

A challenge to those who see the future in my past,
I am an obstacle for those who see only the future.
I see change with the patience of centuries.
Some want only to change the past and shout opportunity.

Look at my silhouette from the bridge on the Golden Horn.
Time has not passed me by, it has protected me.
I ask you, the same[1]”.